I keep bringing up the cab scene from "A Study In Pink" on the assumption that everyone has seen it. Of the many, many, many very accurate things about being terrifyingly smart that have been written and acted on "Sherlock", this is one of the best. And also one of my favorites, because it highlights both one of the huge things that stand between the odd Sherlocks of the world and the rest of the people in it, and one of the biggest reasons Sherlock and John get along, insofar as either of them get along with anybody.
Captain Awkward -- who is one of my new favorite people, by the by -- has apparently been getting a lot of flack from her post about creepiness and how not to engage in it . I say flack specifically because it's not necessarily all directed at her personally, but when you're in the middle of a field of anti-aircraft guns all firing in random directions, you're likely to get some shrapnel in your hide whether anyone is aiming at you or not. One of the running arguments down in the comments (in her blog, in other blogs, on reddit, on the astral plane, etc.) is about whether it makes a difference whether someone is painfully socially awkward, has Asperger's or an autism spectrum disorder, or is just a boundary-free creepy fucker, whether these things are comorbid a lot, and what to do about it. I think it's really damn easy to tell the difference between them, myself. I suspect it's because I do tact about like a Panzer tank does ballet. The people who seem to ...
I have what may be a stupid question. I have been trying to puzzle out vocal technique for the past week or so, because banging a new thing into my head is what I do when I need to distract myself from personal chaos. Having gotten bored of imitating generic Auto-Tune quantization (reasonable success, given I am not a robot) and trying to get myself to sound less American when singing J-pop (less of a triumph), I've moved on to trying to figure out what the fuck Brian Molko is doing to sound like that on tape. Fans call his style 'distinctive'; detractors call it 'nasal'. I call it evidence the man has never had a formal voice lesson in his life, because any vocal coach worth their salt would tell him to stop doing just about everything he does, retroactively if possible. That's not the stupid question. I figured that part out. The tl;dr is that their debut album was super high and pointy and Molko realized that was going to get real old, real quick, so he ...
Comments
Post a Comment